Chris Washburne's newest CD release and review: Rags & Roots
Music Performance Program News
The Asian American Arts Alliance is pleased to administer, with support from the New York Community Trust, the 2017 Van Lier Fellowships. This year, in its second iteration of a three-part cycle of fellowships, the Alliance will recognize music artists in the categories of Music Performance and Music Composition.
IN MEMORY OF ANAHID AJEMIAN AVAKIAN
Ms. Avakian was a member of the Composers String Quartet, in residence at Columbia in the 1970s, and she was a longtime member of Columbia's music faculty. Her full obituary is available below:
Anahid Ajemian was born in New York, in 1924. She began her music studies early at the Institute of Musical Art, which later merged with the Julliard School. After graduating from the Lincoln School, Miss Ajemian continued her education at Julliard, studying violin with Edouard Dethier, chamber music with Hans Letz and Felix Salmon, and played in and with the Julliard orchestra under Albert Stoessel and Edgar Shenkman. In 1946, while still a student of Edouard Dethier at the Juilliard Graduate School of Music, she won the Walter W. Naumburg Foundation Award. In the same year, she made her debut at Town Hall and received the Distinguished Achievement Medal from Mademoiselle magazine as the Young Woman of the Year in Music. Among the many honors that have followed, the Order of St. James appointed her a Knight of Malta for her lifelong support of contemporary classical music.
With her pianist sister Maro, she concertized in Europe, Canada and throughout the United Stares in a wide repertoire including works which for written for them by such distinguished composers as John Cage, Henry Cowell, Lou Harrison, Alan Hovhaness, Ernst Krenek, Wallingford Riegger, Carlos Surinach and Ben Weber, among many others. Together and separately, the Ajemians recorded extensively for Columbia, RCA Victor, MGM and Composers Records Inc. They were the first musicians to receive the Laurel Leaf Award of the Composers Alliance for Distinguished Service to American Miss Ajemian and her sister were equally known for their interpretations of the standard classical repertoire. A unique feature of the many television programs they taped for NBC’s “Recital Hall” and the National Educational Television Network was their series of programs comprising the complete cycle of all ten Beethoven Sonatas for Violin and Piano. They appeared as soloists under the batons of Dmitri Mitropoulos, Leopold Stokowski and Izler Solomon, and recorded with the latter two.
Also during the 1940s, Miss Ajemian co-founded the New York City-based organization “Friends of Armenian Music Committee”, which did much to launch the career of fellow Armenian-American composer Alan Hovhaness, via a series of well-received New York concerts of his music. These concerts were repeated in Boston, San Francisco and Los In the mid sixties, Miss Ajemian and her fellow violinist Matthew Raimondi founded the Composers String Quartet at the suggestion of Gunther Schuller, which quickly earned an international reputation and toured in more that 26 countries, including the Soviet Union, India, the Middle East, Africa, Australia, Japan, Southeast Asia and China. The Composers String Quartet recorded extensively for The Musical Heritage Society, Nonsuch Records, Composers Recordings, Inc and Columbia Records among many others. The Quartet’s 1970 recording of Elliott Carter’s First and Second Quartets was honored by a “Grammy” nomination, received “Stereo Review’s “Best Chamber Music Recording of the Year” Award, and was acclaimed by “High Fidelity” as “Best Quartet of the Year” and one of the “Fifty Greatest Albums of the Decade.” Time magazine called it “an astonishingly brilliant and unique achievement.”
The Quartet was in residence at Columbia University in New York City and The New England Conservatory of Music in Boston, Massachusetts. For many years, they were the primary performers at the Mt Desert Festival of Chamber Music in Northeast Harbor, For many years, Miss Ajemian was a long-time member of the Columbia University music faculty and served as a judge for several music organizations, including the annual Naumburg Foundation Awards.
She is survived by her husband of sixty-eight years, recording executive George Avakian, their daughters Maro and Anahid (Gregg), son Gregory, and two grandchildren.
Will Mason, a fifth-year PhD student in music theory, was interviewed in the Boston Globe this week in anticipation of a concert he is playing with the Will Mason Ensemble at Lily Pad, in Cambridge, MA, on May 16 at 7 p.m (tickets: $10 at www.lilypadinman.com).
Congratulations to Vince Cherico, associate in jazz drums at Columbia's Music Performance Program for your amazing GRAMMY win! On February 8, 2015 at the 57th Annual GRAMMY Awards in Los Angeles, The Offense of the Drum, the fourth album from Arturo O’Farrill & the Afro Latin Jazz Orchestra, won the GRAMMY Award for Best Latin Jazz Album.
What year are you at Columbia and What are you majoring in?
I am a senior in SEAS majoring in biomedical engineering with minors in mechanical engineering and music.
How long have you been a participant of the MPP?
I have been in the Music Performance Program since my freshman year.
How have you benefited by MPP programs and performance opportunities?
The MPP is amazing because it allows students to study with world renowned musicians with whom we would never otherwise have the chance to study.
There are very few parts of my musical life that MPP hasn't in some way helped out. I've been able to play in many great chamber music ensembles with wonderfully accomplished coaches, and there always seems to be some performance opportunity available whenever I need it. Even though I take lessons outside of Columbia, MPP has provided me with the funding necessary for me to do so. Columbia doesn't have a conservatory program, but it certainly feels like the offerings are equivalent to one. It is also an immense help that all of the ladies working the MPP office are incredibly warm, supportive, and generous.
What year are you at Columbia?
Columbia College, ’16.
What are you majoring in?
How long have you been a participant of the MPP?
I have been participating in the MPP since my freshman year here. I began with the MPP in the big band jazz ensemble my first year, and I have been participating in the jazz program ever since. I have also performed in the Columbia-Juilliard showcases since my junior year.